{"id":1438,"date":"2024-07-26T23:21:56","date_gmt":"2024-07-26T16:21:56","guid":{"rendered":"https:\/\/sandbox.isi.ac.id\/?page_id=1438"},"modified":"2025-07-10T11:06:22","modified_gmt":"2025-07-10T04:06:22","slug":"research","status":"publish","type":"page","link":"https:\/\/penyajianmusik.isi.ac.id\/en\/penelitian-dan-luaran-pembelajaran\/research\/","title":{"rendered":"Penelitian\/Karya"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"1438\" class=\"elementor elementor-1438\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"porto-full-no-gap elementor-section elementor-top-section elementor-element elementor-element-d5c0259 elementor-section-full_width intro-section  elementor-section-height-min-height elementor-section-content-middle elementor-section-height-default elementor-section-items-middle\" data-id=\"d5c0259\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;,&quot;background_motion_fx_motion_fx_scrolling&quot;:&quot;yes&quot;,&quot;background_motion_fx_translateY_effect&quot;:&quot;yes&quot;,&quot;background_motion_fx_translateY_speed&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:8,&quot;sizes&quot;:[]},&quot;background_motion_fx_translateY_affectedRange&quot;:{&quot;unit&quot;:&quot;%&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:{&quot;start&quot;:0,&quot;end&quot;:100}},&quot;background_motion_fx_devices&quot;:[&quot;desktop&quot;,&quot;tablet&quot;,&quot;mobile&quot;]}\">\r\n\t\t\t\t\t\t<div class=\"elementor-background-overlay\"><\/div>\r\n\t\t\t\r\n\t\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\r\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"porto-ibanner elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-3df6f88 w-100\" data-id=\"3df6f88\" data-element_type=\"column\" data-e-type=\"column\" data-settings=\"{&quot;text_align1&quot;:&quot;center&quot;,&quot;background_background&quot;:&quot;classic&quot;}\">\r\n\t\t<style>.elementor-element-3df6f88 .porto-ibanner-layer {left: 50%;right: unset;top: 50%;bottom: unset;transform: translate(-50%, -50%);}<\/style>\t\t\t<div class=\"porto-ibanner-layer position-absolute d-flex elementor-widget-wrap elementor-element-populated\">\r\n\t\t\t\t\t<div class=\"elementor-background-overlay\"><\/div>\r\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-6243f2f elementor-align-center elementor-absolute elementor-invisible elementor-widget elementor-widget-button\" data-id=\"6243f2f\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInUp&quot;,&quot;_animation_delay&quot;:300,&quot;_position&quot;:&quot;absolute&quot;}\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-sm\" href=\"#menu-body\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t<span class=\"elementor-button-icon\">\n\t\t\t\t<i aria-hidden=\"true\" class=\"Simple-Line-Icons-arrow-down\"><\/i>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t<\/section>\r\n\t\t<div class=\"elementor-element elementor-element-63755d6 e-con-full e-flex e-con e-parent\" data-id=\"63755d6\" data-element_type=\"container\" data-e-type=\"container\">\r\n\t\t<div class=\"elementor-element elementor-element-293fc56 gap-menu-0 e-flex e-con-boxed e-con e-child\" data-id=\"293fc56\" data-element_type=\"container\" data-e-type=\"container\">\r\n\t\t\t\t\t<div class=\"e-con-inner\">\r\n\t\t\t\t<div class=\"elementor-element elementor-element-3e420bb elementor-widget elementor-widget-heading\" data-id=\"3e420bb\" data-element_type=\"widget\" data-e-type=\"widget\" id=\"link-current\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-heading-title elementor-size-default\">-<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-134c088 e-flex e-con-boxed e-con e-parent\" data-id=\"134c088\" data-element_type=\"container\" data-e-type=\"container\">\r\n\t\t\t\t\t<div class=\"e-con-inner\">\r\n\t\t\t\t<div class=\"elementor-element elementor-element-bb70a6e elementor-widget elementor-widget-text-editor\" data-id=\"bb70a6e\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h2><span style=\"color: #b49b57;\">Daftar Hasil Penelitian\/Karya<\/span><\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-8230845 e-n-tabs-mobile elementor-widget elementor-widget-n-tabs\" data-id=\"8230845\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;tabs_justify_horizontal&quot;:&quot;start&quot;,&quot;horizontal_scroll&quot;:&quot;disable&quot;}\" data-widget_type=\"nested-tabs.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"e-n-tabs\" data-widget-number=\"136513605\" aria-label=\"Tabs. Open items with Enter or Space, close with Escape and navigate using the Arrow keys.\">\n\t\t\t<div class=\"e-n-tabs-heading\" role=\"tablist\">\n\t\t\t\t\t<button id=\"e-n-tab-title-1365136051\" data-tab-title-id=\"e-n-tab-title-1365136051\" class=\"e-n-tab-title\" aria-selected=\"true\" data-tab-index=\"1\" role=\"tab\" tabindex=\"0\" aria-controls=\"e-n-tab-content-1365136051\" style=\"--n-tabs-title-order: 1;\">\n\t\t\t\t\t\t<span class=\"e-n-tab-title-text\">\n\t\t\t\tKerjasama Penelitian\t\t\t<\/span>\n\t\t<\/button>\n\t\t\t\t<button id=\"e-n-tab-title-1365136052\" data-tab-title-id=\"e-n-tab-title-1365136052\" class=\"e-n-tab-title\" aria-selected=\"false\" data-tab-index=\"2\" role=\"tab\" tabindex=\"-1\" aria-controls=\"e-n-tab-content-1365136052\" style=\"--n-tabs-title-order: 2;\">\n\t\t\t\t\t\t<span class=\"e-n-tab-title-text\">\n\t\t\t\tKarya Ilmiah Dosen Tetap Program Studi yang Disitasi\t\t\t<\/span>\n\t\t<\/button>\n\t\t\t\t<button id=\"e-n-tab-title-1365136053\" data-tab-title-id=\"e-n-tab-title-1365136053\" class=\"e-n-tab-title\" aria-selected=\"false\" data-tab-index=\"3\" role=\"tab\" tabindex=\"-1\" aria-controls=\"e-n-tab-content-1365136053\" style=\"--n-tabs-title-order: 3;\">\n\t\t\t\t\t\t<span class=\"e-n-tab-title-text\">\n\t\t\t\tProduk \/Jasa Dosen Tetap yang Diadopsi oleh Industri\/Masyarakat\t\t\t<\/span>\n\t\t<\/button>\n\t\t\t\t<button id=\"e-n-tab-title-1365136054\" data-tab-title-id=\"e-n-tab-title-1365136054\" class=\"e-n-tab-title\" aria-selected=\"false\" data-tab-index=\"4\" role=\"tab\" tabindex=\"-1\" aria-controls=\"e-n-tab-content-1365136054\" style=\"--n-tabs-title-order: 4;\">\n\t\t\t\t\t\t<span class=\"e-n-tab-title-text\">\n\t\t\t\tPenelitian Dosen Tetap yang Melibatkan Mahasiswa\t\t\t<\/span>\n\t\t<\/button>\n\t\t\t\t\t<\/div>\n\t\t\t<div class=\"e-n-tabs-content\">\n\t\t\t\t<div id=\"e-n-tab-content-1365136051\" role=\"tabpanel\" aria-labelledby=\"e-n-tab-title-1365136051\" data-tab-index=\"1\" style=\"--n-tabs-title-order: 1;\" class=\"e-active elementor-element elementor-element-f458e99 e-con-full e-flex e-con e-child\" data-id=\"f458e99\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;,&quot;motion_fx_motion_fx_scrolling&quot;:&quot;yes&quot;,&quot;motion_fx_devices&quot;:[&quot;desktop&quot;,&quot;tablet&quot;,&quot;mobile&quot;]}\">\r\n\t\t\t\t<div class=\"elementor-element elementor-element-ca8614a elementor-widget elementor-widget-text-editor\" data-id=\"ca8614a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>\u00a0<\/p><table dir=\"ltr\" border=\"1\" cellspacing=\"0\" cellpadding=\"0\" data-sheets-root=\"1\" data-sheets-baot=\"1\"><colgroup> <col width=\"40\" \/> <col width=\"182\" \/> <col width=\"61\" \/> <col width=\"61\" \/> <col width=\"61\" \/> <col width=\"175\" \/> <col width=\"175\" \/> <col width=\"91\" \/> <col width=\"129\" \/> <col width=\"101\" \/><\/colgroup><tbody><tr><td colspan=\"1\" rowspan=\"2\"><div><strong><span style=\"color: #ffffff;\">No.<\/span><\/strong><\/div><\/td><td colspan=\"1\" rowspan=\"2\"><div><strong><span style=\"color: #ffffff;\">Lembaga Mitra<\/span><\/strong><\/div><\/td><td colspan=\"3\" rowspan=\"1\"><strong><span style=\"color: #ffffff;\">Tingkat *)<\/span><\/strong><\/td><td colspan=\"1\" rowspan=\"2\"><div><strong><span style=\"color: #ffffff;\">Judul Kegiatan Kerjasama<\/span><\/strong><\/div><\/td><td colspan=\"1\" rowspan=\"2\"><div><strong><span style=\"color: #ffffff;\">Manfaat bagi PS yang Diakreditasi<\/span><\/strong><\/div><\/td><td colspan=\"1\" rowspan=\"2\"><div><strong><span style=\"color: #ffffff;\">Waktu dan Durasi<\/span><\/strong><\/div><\/td><td colspan=\"1\" rowspan=\"2\"><div><strong><span style=\"color: #ffffff;\">Bukti Kerjasama<\/span><\/strong><\/div><\/td><td colspan=\"1\" rowspan=\"2\"><div><span style=\"color: #ffffff;\"><strong>Tahun Berakhirnya Kerjasama<\/strong> (YYYY)<\/span><\/div><\/td><\/tr><tr><td><strong><span style=\"color: #ffffff;\">Interna-sional<\/span><\/strong><\/td><td><strong><span style=\"color: #ffffff;\">Nasional<\/span><\/strong><\/td><td><span style=\"color: #ffffff;\"><strong>Wilaya<\/strong>h\/ Lokal<\/span><\/td><\/tr><tr><td>\u00a0<\/td><td>\u00a0<\/td><td>\u00a0<\/td><td>\u00a0<\/td><td>\u00a0<\/td><td>\u00a0<\/td><td>\u00a0<\/td><td>\u00a0<\/td><td>\u00a0<\/td><td>\u00a0<\/td><\/tr><tr><td><span style=\"color: #ffffff;\">1<\/span><\/td><td><span style=\"color: #ffffff;\">Mae Fah Luang University, Bangkok, Thailand<\/span><\/td><td><span style=\"color: #ffffff;\">V<\/span><\/td><td>\u00a0<\/td><td>\u00a0<\/td><td><i><span style=\"color: #ffffff;\">Intellectual character of metacognition in<\/span><br \/><span style=\"color: #ffffff;\">thinking strategies<\/span><\/i><\/td><td><span style=\"color: #ffffff;\">hasil penelitian memperluas bidang kajian penyajian musik<\/span><\/td><td><span style=\"color: #ffffff;\">2019\/1 tahun<\/span><\/td><td><span style=\"color: #ffffff;\">Publikasi Jurnal<\/span><\/td><td><span style=\"color: #ffffff;\">2020<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">2<\/span><\/td><td><span style=\"color: #ffffff;\">Mae Fah Luang University, Bangkok, Thailand<\/span><\/td><td><span style=\"color: #ffffff;\">V<\/span><\/td><td>\u00a0<\/td><td>\u00a0<\/td><td><i><span style=\"color: #ffffff;\">How Gendhing Gamelan reduced anxiety in<\/span><br \/><span style=\"color: #ffffff;\">pregnancy<\/span><\/i><\/td><td><span style=\"color: #ffffff;\">Meningkatnya peran dosen di masyarakat<\/span><\/td><td><span style=\"color: #ffffff;\">2019\/1 tahun<\/span><\/td><td><span style=\"color: #ffffff;\">Publikasi Jurnal<\/span><\/td><td><span style=\"color: #ffffff;\">2020<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">3<\/span><\/td><td><span style=\"color: #ffffff;\">Universitas Negeri Yogyakarta<\/span><\/td><td>\u00a0<\/td><td><span style=\"color: #ffffff;\">V<\/span><\/td><td>\u00a0<\/td><td><i><span style=\"color: #ffffff;\">Sibelius as a Tool to Improve Student\u2019s<\/span><br \/><\/i><span style=\"color: #ffffff;\"><i>Ability of Making Counterpoint Melod<\/i>y<\/span><\/td><td><span style=\"color: #ffffff;\">Hasil peneliitan dapat memperluas wawasan ruang lingkup penelitan sehingga hasil penelitian dapat berkontribusi pada materi pembahasan mata kuliah<\/span><\/td><td><span style=\"color: #ffffff;\">2020\/ 1 tahun<\/span><\/td><td><span style=\"color: #ffffff;\">Publikasi Jurnal<\/span><\/td><td><span style=\"color: #ffffff;\">2021<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">4<\/span><\/td><td><span style=\"color: #ffffff;\">Maha chulalongkorn raja vidyalaya University, Phra Nakhon Si Ayutthaya, Thailand<\/span><\/td><td><span style=\"color: #ffffff;\">V<\/span><\/td><td>\u00a0<\/td><td>\u00a0<\/td><td><i><span style=\"color: #ffffff;\">Keyseg: adaptive segmentation for spontaneous<\/span><br \/><span style=\"color: #ffffff;\">electroencephalography map series into spatially defined<\/span><br \/><span style=\"color: #ffffff;\">microstates of musicians\u2019 brain<\/span><\/i><\/td><td><span style=\"color: #ffffff;\">Meningkatnya luaran dan kualitas penelitian<\/span><\/td><td><span style=\"color: #ffffff;\">2020\/1 tahun<\/span><\/td><td><span style=\"color: #ffffff;\">Publikasi Jurnal<\/span><\/td><td><span style=\"color: #ffffff;\">2021<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">5<\/span><\/td><td><span style=\"color: #ffffff;\">Mae Fah<\/span><br \/><span style=\"color: #ffffff;\">Luang University, Bangkok, Thailand<\/span><\/td><td><span style=\"color: #ffffff;\">V<\/span><\/td><td>\u00a0<\/td><td>\u00a0<\/td><td><i><span style=\"color: #ffffff;\">Sibelius as a Tool to Improve Student\u2019s<\/span><br \/><span style=\"color: #ffffff;\">Ability of Making Counterpoint Melody<\/span><\/i><\/td><td><span style=\"color: #ffffff;\">Hasil penelitian dapat menjadi bahan kajian dalam mata kuliah metodologi peneitian, kapita selekta, dan kritik musik<\/span><\/td><td><span style=\"color: #ffffff;\">2021\/1 tahun<\/span><\/td><td><span style=\"color: #ffffff;\">Publikasi Jurnal<\/span><\/td><td><span style=\"color: #ffffff;\">2022<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">6<\/span><\/td><td><span style=\"color: #ffffff;\">Mae Fah Luang University, Bangkok, Thailand<\/span><\/td><td><span style=\"color: #ffffff;\">V<\/span><\/td><td>\u00a0<\/td><td>\u00a0<\/td><td><span style=\"color: #ffffff;\"><i>Karawitan&#8217;s Musician Brain Adapation : standardizied low restolution electromagnetic tomography study<\/i><\/span><\/td><td><span style=\"color: #ffffff;\">Hasil penelitian dapat menjadi bahan kajian dalam mata kuliah metodologi peneitian, kapita selekta, dan kritik musik<\/span><\/td><td><span style=\"color: #ffffff;\">2021\/ 1 tahun<\/span><\/td><td><span style=\"color: #ffffff;\">Publikasi Jurnal<\/span><\/td><td><span style=\"color: #ffffff;\">2022<\/span><\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div id=\"e-n-tab-content-1365136052\" role=\"tabpanel\" aria-labelledby=\"e-n-tab-title-1365136052\" data-tab-index=\"2\" style=\"--n-tabs-title-order: 2;\" class=\"elementor-element elementor-element-bdb8539 e-con-full e-flex e-con e-child\" data-id=\"bdb8539\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\r\n\t\t\t\t<div class=\"elementor-element elementor-element-4818b80 elementor-widget elementor-widget-text-editor\" data-id=\"4818b80\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<table dir=\"ltr\" border=\"1\" cellspacing=\"0\" cellpadding=\"0\" data-sheets-root=\"1\" data-sheets-baot=\"1\"><colgroup> <col width=\"137\" \/> <col width=\"104\" \/> <col width=\"321\" \/> <col width=\"159\" \/><\/colgroup><tbody><tr><td><strong><span style=\"color: #ffffff;\">No.<\/span><\/strong><\/td><td><strong><span style=\"color: #ffffff;\">Nama Dosen<\/span><\/strong><\/td><td><strong><span style=\"color: #ffffff;\">Judul Artikel yang Disitasi (Jurnal, Volume, Tahun, Nomor, Halaman)<\/span><\/strong><\/td><td><strong><span style=\"color: #ffffff;\">Jumlah Sitasi<\/span><\/strong><\/td><\/tr><tr><td>\u00a0<\/td><td>\u00a0<\/td><td>\u00a0<\/td><td>\u00a0<\/td><\/tr><tr><td><span style=\"color: #ffffff;\">1<\/span><\/td><td><span style=\"color: #ffffff;\">Mardian Bagus Prakosa, S.Pd., M.Mus.<\/span><\/td><td><span style=\"color: #ffffff;\">The Interpretasi Dinamika dan Warna Suara pada Suite Populaire Bresilienne No 1. Karya Villa Lobos (Virtuoso: Jurnal Pengkajian dan Penciptaan Musik, Volume 4, Tahun 2021, Nomor 2, Halaman 96-103)<\/span><\/td><td><span style=\"color: #ffffff;\">12<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">2<\/span><\/td><td><span style=\"color: #ffffff;\">Mardian Bagus Prakosa, S.Pd., M.Mus.<\/span><\/td><td><span style=\"color: #ffffff;\">Analisis, Teknik, dan Interpretasi Musik pada Fantasia Dramatique Op. 31 Karya Napoleon Coste (Jurnal Grenek Music Journal, Volume 9, Tahun 2020, Nomor 2, Halaman 71-82)<\/span><\/td><td><span style=\"color: #ffffff;\">4<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">3<\/span><\/td><td><span style=\"color: #ffffff;\">Dr. Asep Hidayat Wirayuda, M.Ed<\/span><\/td><td><span style=\"color: #ffffff;\">A Solution to the Fingering Problem of Brahms Cellos Sonata No. 1 Opus 38 and Shostakovich Cello Sonata Opus 40 (Jurnal Resital, Volume 15, Tahun 2016, Nomor 1, Halaman 100-106)<\/span><\/td><td><span style=\"color: #ffffff;\">4<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">4<\/span><\/td><td><span style=\"color: #ffffff;\">Prof. Djohan, M.Si.<\/span><\/td><td><span style=\"color: #ffffff;\">Intellectual Character of Metacognition: Thinking Strategies in Playing Music (Jurnal Asian Journal of Medical Sciences, Volume 11, Tahun 2020, Nomor 1, Halaman 51-56)<\/span><\/td><td><span style=\"color: #ffffff;\">3<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">5<\/span><\/td><td><span style=\"color: #ffffff;\">Prof. Djohan, M.Si.<\/span><\/td><td><span style=\"color: #ffffff;\">Mind Mapping Tool Increased Critical Thinking through Blended Learning (Jurnal Asian Journal of Medical Sciences, Volume 11, Tahun 2020, Nomor 1, Halaman 42-50)<\/span><\/td><td><span style=\"color: #ffffff;\">7<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">6<\/span><\/td><td><span style=\"color: #ffffff;\">Prof. Djohan, M.Si.<\/span><\/td><td><span style=\"color: #ffffff;\">How Gendhing Gamelan Reduced Anxiety in Pregnancy (Jurnal Asian Journal of Medical Sciences, Volume 11, Tahun 2020, Nomor 1, Halaman 37-41)<\/span><\/td><td><span style=\"color: #ffffff;\">1<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">7<\/span><\/td><td><span style=\"color: #ffffff;\">Prof. Djohan, M.Si.<\/span><\/td><td><span style=\"color: #ffffff;\">The role of active musical listening to enhance the emotional health on early motherhood (Jurnal International Journal for Creative Art Studies, Volume 6, Tahun 2019, Nomor 1, Halaman 1-11)<\/span><\/td><td><span style=\"color: #ffffff;\">1<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">8<\/span><\/td><td><span style=\"color: #ffffff;\">Prof. Djohan, M.Si.<\/span><\/td><td><span style=\"color: #ffffff;\">Musik Batu (Jurnal Resital, Volume 18, Tahun 2017, Nomor 2, Halaman 65-77)<\/span><\/td><td><span style=\"color: #ffffff;\">1<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">9<\/span><\/td><td><span style=\"color: #ffffff;\">Dr. R.M Singgih Sanjaya, M.Hum<\/span><\/td><td><span style=\"color: #ffffff;\">Metode Lima Langkah Aransemen Musik (Jurnal PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik, Volume 1, Tahun 2013, Nomor 1, Halaman 33-49)<\/span><\/td><td><span style=\"color: #ffffff;\">35<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">10<\/span><\/td><td><span style=\"color: #ffffff;\">Agnes Tika Setiarini, M.Sn<\/span><\/td><td><span style=\"color: #ffffff;\">Strategi Positioning Dan Diferensiasi Dalam Upaya Membangun Brand, Studi Kasus Ngayogjazz (Jurnal Tata Kelola Seni, Volume 1, Tahun 2015, Nomor 2, Halaman 54-67)<\/span><\/td><td><span style=\"color: #ffffff;\">9<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">11<\/span><\/td><td><span style=\"color: #ffffff;\">Drs. R. Agoeng Prasetyo, M.Sn<\/span><\/td><td><span style=\"color: #ffffff;\">Analisis dan Interpretasi Lagu Desafinado karya Antonio Carlos Jobim (Jurnal PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik, Volume 4, Tahun 2016, Nomor 1, Halaman 13-20)<\/span><\/td><td><span style=\"color: #ffffff;\">3<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">12<\/span><\/td><td><span style=\"color: #ffffff;\">Rahmat Raharjo, M.Sn<\/span><\/td><td><span style=\"color: #ffffff;\">Pengelolaan Konser Musik Ditinjau Dari Fungsi Manajemen Studi Kasus Pada Pusat Kebudayaan Indonesia Belanda Karta Pustaka Yogyakarta (Jurnal Tata Kelola Seni, Tahun 2014, Nomor 2)<\/span><\/td><td><span style=\"color: #ffffff;\">5<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">13<\/span><\/td><td><span style=\"color: #ffffff;\">Rahmat Raharjo, M.Sn<\/span><\/td><td><span style=\"color: #ffffff;\">Teknik Vokal dan Pembawaan Lagu Keroncong Stambul \u201cTinggal Kenangan\u201d Ciptaan Budiman BJ oleh Subarjo HS (Jurnal Resital, Volume 7, Tahun 2019, Nomor 1, Halaman 29-37)<\/span><\/td><td><span style=\"color: #ffffff;\">14<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">14<\/span><\/td><td><span style=\"color: #ffffff;\">Rahmat Raharjo, M.Sn<\/span><\/td><td><span style=\"color: #ffffff;\">Sight Singing sebagai Strategi Pembelajaran Instrumen Piano di Prodi Pendidikan Musik ISI Yogyakarta (Jurnal Resital, Volume 21, Tahun 2020, Nomor 2, Halaman 99-112)<\/span><\/td><td><span style=\"color: #ffffff;\">4<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">15<\/span><\/td><td><span style=\"color: #ffffff;\">Rahmat Raharjo, M.Sn<\/span><\/td><td><span style=\"color: #ffffff;\">Pemanfaatan YouTube sebagai Media Pembelajaran Vokal Pop Jazz di Prodi Pendidikan Musik Institut Seni Indonesia Yogyakarta (Jurnal Resital, Volume 22, Tahun 2021, Nomor 2, Halaman 117-126)<\/span><\/td><td><span style=\"color: #ffffff;\">8<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">16<\/span><\/td><td><span style=\"color: #ffffff;\">Rahmat Raharjo, M.Sn<\/span><\/td><td><span style=\"color: #ffffff;\">Ryuji Kunimatsu Guitar Arrangement on the Oblivion by Astor Piazzolla: A Critical Analysis (Harmonia: Journal of Arts Research and Education, Volume 21, Tahun 2021,Nomor 2, Halaman 204-220)<\/span><\/td><td><span style=\"color: #ffffff;\">4<\/span><\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div id=\"e-n-tab-content-1365136053\" role=\"tabpanel\" aria-labelledby=\"e-n-tab-title-1365136053\" data-tab-index=\"3\" style=\"--n-tabs-title-order: 3;\" class=\"elementor-element elementor-element-341c72f e-con-full e-flex e-con e-child\" data-id=\"341c72f\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\r\n\t\t\t\t<div class=\"elementor-element elementor-element-de91ea7 elementor-widget elementor-widget-text-editor\" data-id=\"de91ea7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<table dir=\"ltr\" border=\"1\" cellspacing=\"0\" cellpadding=\"0\" data-sheets-root=\"1\" data-sheets-baot=\"1\"><colgroup> <col width=\"38\" \/> <col width=\"199\" \/> <col width=\"171\" \/> <col width=\"195\" \/> <col width=\"115\" \/> <col width=\"101\" \/><\/colgroup><tbody><tr><td><span style=\"color: #ffffff;\">N<strong>o.<\/strong><\/span><\/td><td><span style=\"color: #ffffff;\"><strong>Nama Dosen<\/strong><\/span><\/td><td><span style=\"color: #ffffff;\"><strong>Nama Produk\/Jasa<\/strong><\/span><\/td><td><span style=\"color: #ffffff;\"><strong>Deskripsi Produk\/Jasa<\/strong><\/span><\/td><td><span style=\"color: #ffffff;\"><strong>Bukti<\/strong><\/span><\/td><td><span style=\"color: #ffffff;\"><strong>Tahun<\/strong><\/span><br \/><span style=\"color: #ffffff;\"><strong>[YYYY]<\/strong><\/span><\/td><\/tr><tr><td>\u00a0<\/td><td>\u00a0<\/td><td>\u00a0<\/td><td>\u00a0<\/td><td>\u00a0<\/td><td>\u00a0<\/td><\/tr><tr><td><span style=\"color: #ffffff;\">1<\/span><\/td><td><span style=\"color: #ffffff;\">Dr. R.M. Singgih Sanjaya, M.Hum<\/span><\/td><td><span style=\"color: #ffffff;\">karya\/ komposisi musik<\/span><\/td><td><span style=\"color: #ffffff;\">Kidung Panyuwun<\/span><br \/><span style=\"color: #ffffff;\">(untuk vokal wanita solo, orkestra, paduan suara, dan keroncong)<\/span><\/td><td><span style=\"color: #ffffff;\">Dokumentasi<\/span><\/td><td><span style=\"color: #ffffff;\">2020<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">2<\/span><\/td><td><span style=\"color: #ffffff;\">H. Mulyadi Cahyoraharjo<\/span><\/td><td><span style=\"color: #ffffff;\">Aransemen Musik<\/span><\/td><td><span style=\"color: #ffffff;\">Smooth Chriminal untuk Bhineka Orkestra (Gamelan dan Orkestra)<\/span><\/td><td><span style=\"color: #ffffff;\">Dokumentasi<\/span><\/td><td><span style=\"color: #ffffff;\">2020<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">3<\/span><\/td><td><span style=\"color: #ffffff;\">Dr. R.M. Singgih Sanjaya, M.Hum<\/span><\/td><td><span style=\"color: #ffffff;\">karya\/ komposisi musik<\/span><\/td><td><span style=\"color: #ffffff;\">Rescue the Planet Earth<\/span><br \/><span style=\"color: #ffffff;\">(untuk EWI solo, vokal wanita, orkestra, dan keroncong)<\/span><\/td><td><span style=\"color: #ffffff;\">Dokumentasi<\/span><\/td><td><span style=\"color: #ffffff;\">2021<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">4<\/span><\/td><td><span style=\"color: #ffffff;\">H. Mulyadi Cahyoraharjo<\/span><\/td><td><span style=\"color: #ffffff;\">Komposisi Musik<\/span><\/td><td><span style=\"color: #ffffff;\">jingle musik dengan judul \u2018Museum Balai Kirti<\/span><\/td><td><span style=\"color: #ffffff;\">Dokumentasi<\/span><\/td><td><span style=\"color: #ffffff;\">2021<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">5<\/span><\/td><td><span style=\"color: #ffffff;\">Dr. R.M. Singgih Sanjaya, M.Hum<\/span><\/td><td><span style=\"color: #ffffff;\">aransemen Musik<\/span><\/td><td><span style=\"color: #ffffff;\">Medley Tanah Airku dan Indonesia Pusaka<\/span><br \/><span style=\"color: #ffffff;\">(ciptaan Ibu Sud dan Ismail Marzuki), aransemen untuk paduan suara, orkestra, dan musik etnis Indonesia.<\/span><\/td><td><span style=\"color: #ffffff;\">Dokumentasi<\/span><\/td><td><span style=\"color: #ffffff;\">2022<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">6<\/span><\/td><td><span style=\"color: #ffffff;\">Prof. Dr. Djohan, M.Si<\/span><\/td><td><span style=\"color: #ffffff;\">Musik dengan teks<\/span><\/td><td><span style=\"color: #ffffff;\">Bis Kota, Ke Pantai, Hari-hari, Padangan Burung, Mandi Hujan, Teman baruku<\/span><\/td><td><span style=\"color: #ffffff;\">Sertifikat Hak Kekayaan Intelektual<\/span><\/td><td><span style=\"color: #ffffff;\">2022<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">7<\/span><\/td><td><span style=\"color: #ffffff;\">Prof. Dr. Djohan, M.Si<\/span><\/td><td><span style=\"color: #ffffff;\">Musik tanpa teks<\/span><\/td><td><span style=\"color: #ffffff;\">Relaksasi #1<\/span><\/td><td><span style=\"color: #ffffff;\">Sertifikat Hak Kekayaan Intelektual<\/span><\/td><td><span style=\"color: #ffffff;\">2022<\/span><\/td><\/tr><tr><td>\u00a0<\/td><td>\u00a0<\/td><td>\u00a0<\/td><td>\u00a0<\/td><td>\u00a0<\/td><td>\u00a0<\/td><\/tr><tr><td><span style=\"color: #ffffff;\">8<\/span><\/td><td><span style=\"color: #ffffff;\">Dr. R.M. Singgih Sanjaya, M.Hum<\/span><\/td><td><span style=\"color: #ffffff;\">Aransemen Musik<\/span><\/td><td><span style=\"color: #ffffff;\">Hari Merdeka ciptan H. Mutahar, untuk orkestra dan paduan suara.<\/span><\/td><td><span style=\"color: #ffffff;\">Dokumentasi<\/span><\/td><td><span style=\"color: #ffffff;\">2022<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">9<\/span><\/td><td><span style=\"color: #ffffff;\">Dr. R.M. Singgih Sanjaya, M.Hum<\/span><\/td><td><span style=\"color: #ffffff;\">karya\/ komposisi musik<\/span><\/td><td><span style=\"color: #ffffff;\">konser masterpiece di taman Budaya Yogyakarta<\/span><\/td><td><span style=\"color: #ffffff;\">Dokumentasi<\/span><\/td><td><span style=\"color: #ffffff;\">2022<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">10<\/span><\/td><td><span style=\"color: #ffffff;\">Dr. R.M. Singgih Sanjaya, M.Hum<\/span><\/td><td><span style=\"color: #ffffff;\">aransemen Musik<\/span><\/td><td><span style=\"color: #ffffff;\">Bohemian Rhapsody<\/span><br \/><span style=\"color: #ffffff;\">(ciptaan Freddie Mercury), aransemen untuk paduan suara, keroncong, dan orkestra.<\/span><br \/><span style=\"color: #ffffff;\">Karya ini telah dipergelarkan dalam rangka Solo Keroncong Festival 2022, 25 Juli 2022, di Mangkunegaran, Solo.<\/span><\/td><td><span style=\"color: #ffffff;\">Dokumentasi<\/span><\/td><td><span style=\"color: #ffffff;\">2022<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">11<\/span><\/td><td><span style=\"color: #ffffff;\">Danny Ceri, S.Sn.,M.M.<\/span><\/td><td><span style=\"color: #ffffff;\">Aransemen Musik<\/span><\/td><td><span style=\"color: #ffffff;\">Amin, Amin (ibadah di GKJ Gondokusuman Yogyakarata, 25 Desember 2022)<\/span><\/td><td><span style=\"color: #ffffff;\">Surat Keterangan<\/span><\/td><td><span style=\"color: #ffffff;\">2022<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">12<\/span><\/td><td><span style=\"color: #ffffff;\">Danny Ceri, S.Sn.,M.M.<\/span><\/td><td><span style=\"color: #ffffff;\">aransemen Musik<\/span><\/td><td><span style=\"color: #ffffff;\">Hai Mari Berhimpun(ibadah di GKJ Gondokusuman Yogyakarata, 25 Desember 2022)<\/span><\/td><td><span style=\"color: #ffffff;\">Surat Keterangan<\/span><\/td><td><span style=\"color: #ffffff;\">2022<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">13<\/span><\/td><td><span style=\"color: #ffffff;\">Danny Ceri, S.Sn.,M.M.<\/span><\/td><td><span style=\"color: #ffffff;\">Aransemen Musik<\/span><\/td><td><span style=\"color: #ffffff;\">Selamat Selamat Datang (ibadah di GKJ Gondokusuman Yogyakarata, 25 Desember 2022)<\/span><\/td><td><span style=\"color: #ffffff;\">Surat Keterangan<\/span><\/td><td><span style=\"color: #ffffff;\">2022<\/span><\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div id=\"e-n-tab-content-1365136054\" role=\"tabpanel\" aria-labelledby=\"e-n-tab-title-1365136054\" data-tab-index=\"4\" style=\"--n-tabs-title-order: 4;\" class=\"elementor-element elementor-element-57cc804 e-flex e-con-boxed e-con e-child\" data-id=\"57cc804\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\r\n\t\t\t\t\t<div class=\"e-con-inner\">\r\n\t\t\t\t<div class=\"elementor-element elementor-element-62382ba elementor-widget elementor-widget-text-editor\" data-id=\"62382ba\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<table dir=\"ltr\" border=\"1\" cellspacing=\"0\" cellpadding=\"0\" data-sheets-root=\"1\" data-sheets-baot=\"1\"><colgroup> <col width=\"61\" \/> <col width=\"105\" \/> <col width=\"104\" \/> <col width=\"91\" \/> <col width=\"132\" \/> <col width=\"61\" \/><\/colgroup><tbody><tr><td><strong><span style=\"color: #ffffff;\">No.<\/span><\/strong><\/td><td><strong><span style=\"color: #ffffff;\">Nama Dosen<\/span><\/strong><\/td><td><strong><span style=\"color: #ffffff;\">Tema Penelitian sesuai Roadmap<\/span><\/strong><\/td><td><strong><span style=\"color: #ffffff;\">Nama Mahasiswa<\/span><\/strong><\/td><td><strong><span style=\"color: #ffffff;\">Judul Kegiatan<\/span><\/strong><\/td><td><strong><span style=\"color: #ffffff;\">Tahun<\/span><\/strong><br \/><strong><span style=\"color: #ffffff;\">(YYYY)<\/span><\/strong><\/td><\/tr><tr><td>\u00a0<\/td><td>\u00a0<\/td><td>\u00a0<\/td><td>\u00a0<\/td><td>\u00a0<\/td><td>\u00a0<\/td><\/tr><tr><td><span style=\"color: #ffffff;\">1<\/span><\/td><td><span style=\"color: #ffffff;\">Djohan<\/span><\/td><td><span style=\"color: #ffffff;\">Seni Terapan<\/span><\/td><td><span style=\"color: #ffffff;\">Aghisna Indah Mawarni<\/span><\/td><td><span style=\"color: #ffffff;\">Peran Musical Group Interaction dalam Mereduksi Kecemasan (Studi Kasus Marskanskey String Quartet)<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">2<\/span><\/td><td><span style=\"color: #ffffff;\">Rahmat Raharjo<\/span><\/td><td><span style=\"color: #ffffff;\">Seni Terapan<\/span><\/td><td><span style=\"color: #ffffff;\">Aghisna Indah Mawarni<\/span><\/td><td><span style=\"color: #ffffff;\">Peran Musical Group Interaction dalam Mereduksi Kecemasan (Studi Kasus Marskanskey String Quartet)<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">3<\/span><\/td><td><span style=\"color: #ffffff;\">Rahmat Raharjo<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Firly Mutia Febripertiwi<\/span><\/td><td><span style=\"color: #ffffff;\">Strategi Latihan Teknik Barre: Studi Kasus Bagian I dan III Koyunbaba Karya Carlo Domeniconi<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">4<\/span><\/td><td><span style=\"color: #ffffff;\">Rahmat Raharjo<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Gary Bagaskara<\/span><\/td><td><span style=\"color: #ffffff;\">Pola Latihan &#8220;Cramming&#8221; Terhadap Resiko Carpal Tunnel Syndrome Pada Mahasiswa Biola ISI Yogyakarta<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">5<\/span><\/td><td><span style=\"color: #ffffff;\">Asep Hidayat Wirayudha<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Gary Bagaskara<\/span><\/td><td><span style=\"color: #ffffff;\">Pola Latihan &#8220;Cramming&#8221; Terhadap Resiko Carpal Tunnel Syndrome Pada Mahasiswa Biola ISI Yogyakarta<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">6<\/span><\/td><td><span style=\"color: #ffffff;\">Asep Hidayat Wirayudha<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Refael<\/span><\/td><td><span style=\"color: #ffffff;\">Efektivitas Metode Analisis Struktural Dalam Interpretasi Musik Abad 19 (Studi Kasus: Suite for Piano FP. 19 Karya Francil Poulenc)<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">7<\/span><\/td><td><span style=\"color: #ffffff;\">Mardian Bagus Prakosa<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Refael<\/span><\/td><td><span style=\"color: #ffffff;\">Efektivitas Metode Analisis Struktural Dalam Interpretasi Musik Abad 19 (Studi Kasus: Suite for Piano FP. 19 Karya Francil Poulenc)<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">8<\/span><\/td><td><span style=\"color: #ffffff;\">Agnes Tika Setiarini<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Rosa Bella Cahyaningtyas<\/span><\/td><td><span style=\"color: #ffffff;\">Implementasi Teknik Vokal Sindenan Pada Lagu &#8220;At Last&#8221;<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">9<\/span><\/td><td><span style=\"color: #ffffff;\">Bakhrudin Latif<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Rosa Bella Cahyaningtyas<\/span><\/td><td><span style=\"color: #ffffff;\">Implementasi Teknik Vokal Sindenan Pada Lagu &#8220;At Last&#8221;<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">10<\/span><\/td><td><span style=\"color: #ffffff;\">Djohan<\/span><\/td><td><span style=\"color: #ffffff;\">Seni Terapan<\/span><\/td><td><span style=\"color: #ffffff;\">Aghisna Indah Mawarni<\/span><\/td><td><span style=\"color: #ffffff;\">Efek Reinstrumentasi Karya Organ Js. Bach Melalui Alih Timbre Terhadap Selera Musik<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">11<\/span><\/td><td><span style=\"color: #ffffff;\">Josias T. Adriaan<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Ivan Andiananta<\/span><\/td><td><span style=\"color: #ffffff;\">Efek Substitusi Akor dan Tangga Nada Pentatonik Pada Mood Improvisasi Dalam Piano Jazz<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">12<\/span><\/td><td><span style=\"color: #ffffff;\">Agnes Tika Setiarini<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Ivan Andiananta<\/span><\/td><td><span style=\"color: #ffffff;\">Efek Substitusi Akor dan Tangga Nada Pentatonik Pada Mood Improvisasi Dalam Piano Jazz<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">13<\/span><\/td><td><span style=\"color: #ffffff;\">H. Mulyadi Cahyoraharjo<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Timothy Harris Samosir<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan Improvisasi Pada Instrumen Saxofon Alto Dengan Teknik Upper Structure, Studi Kasus Dalam Lagu Inner Urge Karya Joe Handerson<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">14<\/span><\/td><td><span style=\"color: #ffffff;\">Bakhrudin Latif<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Ghifary Akbar Syahputra<\/span><\/td><td><span style=\"color: #ffffff;\">Metric Modulation Untuk Solo Drumset Pada Lagu &#8220;Synergy&#8221; Karya Anika Nilles<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">15<\/span><\/td><td><span style=\"color: #ffffff;\">Bakhrudin Latif<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Zevanya Diankosta Ginting<\/span><\/td><td><span style=\"color: #ffffff;\">Penerapan Rudiment Pada Teknik Ghost Note Dalam Lagu &#8220;Hungry Ghost&#8221; Karya Dari Grup Mehliana<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">16<\/span><\/td><td><span style=\"color: #ffffff;\">Agoeng Prasetyo<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Juang Kaibigan Bayan<\/span><\/td><td><span style=\"color: #ffffff;\">Penerapan Konsep Improvisasi Bass Elektrik Menggunakan Modus Dorian, Phrygian, Aeolian pada Lagu \u201cShape Of You\u201dKarya Ed Sheeran<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">17<\/span><\/td><td><span style=\"color: #ffffff;\">Josias T. Adriaan<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Juang Kaibigan Bayan<\/span><\/td><td><span style=\"color: #ffffff;\">Penerapan Konsep Improvisasi Bass Elektrik Menggunakan Modus Dorian, Phrygian, Aeolian pada Lagu \u201cShape Of You\u201dKarya Ed Sheeran<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">18<\/span><\/td><td><span style=\"color: #ffffff;\">Singgih Sanjaya<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Yosua Eriko Murti Setiawan<\/span><\/td><td><span style=\"color: #ffffff;\">Penerapan Improvisasi Saksofon Tenor Menggunakan Pendekatan Chordal dan Modal Pada Lagu &#8220;Stablemates&#8221; Karya Benny Golson<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">19<\/span><\/td><td><span style=\"color: #ffffff;\">H. Mulyadi Cahyoraharjo<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Yosua Eriko Murti Setiawan<\/span><\/td><td><span style=\"color: #ffffff;\">Penerapan Improvisasi Saksofon Tenor Menggunakan Pendekatan Chordal dan Modal Pada Lagu &#8220;Stablemates&#8221; Karya Benny Golson<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">20<\/span><\/td><td><span style=\"color: #ffffff;\">H. Mulyadi Cahyoraharjo<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Ananda Putra<\/span><\/td><td><span style=\"color: #ffffff;\">Penerapan Konsep Improvisasi Saksofon Alto Mike Burton Pada Lagu &#8220;Fuck Julliard You Dig (FJYD)&#8221; Karya Braxton Cook<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">21<\/span><\/td><td><span style=\"color: #ffffff;\">Singgih Sanjaya<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Ananda Putra<\/span><\/td><td><span style=\"color: #ffffff;\">Penerapan Konsep Improvisasi Saksofon Alto Mike Burton Pada Lagu &#8220;Fuck Julliard You Dig (FJYD)&#8221; Karya Braxton Cook<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">22<\/span><\/td><td><span style=\"color: #ffffff;\">Rahmat Raharjo<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Imelda Trisa Putri<\/span><\/td><td><span style=\"color: #ffffff;\">Pengaruh Penggunaan Teknik Mix Voice Terhadap Timbre<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">23<\/span><\/td><td><span style=\"color: #ffffff;\">Agnes Tika Setiarini<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Imelda Trisa Putri<\/span><\/td><td><span style=\"color: #ffffff;\">Pengaruh Penggunaan Teknik Mix Voice Terhadap Timbre<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">24<\/span><\/td><td><span style=\"color: #ffffff;\">Asep Hidayat Wirayudha<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Satrio Bagus Wicaksono<\/span><\/td><td><span style=\"color: #ffffff;\">Eksperimentasi Penerapan Sistem Nada Pelog Dan Slendro Pada Cadenza (Flute Concerto In G Major, Op. 29 Karya Carl Stamitz)<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">25<\/span><\/td><td><span style=\"color: #ffffff;\">Danny Ceri<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Satrio Bagus Wicaksono<\/span><\/td><td><span style=\"color: #ffffff;\">Eksperimentasi Penerapan Sistem Nada Pelog Dan Slendro Pada Cadenza (Flute Concerto In G Major, Op. 29 Karya Carl Stamitz)<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">26<\/span><\/td><td><span style=\"color: #ffffff;\">Agoeng Prasetyo<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Rajasa Satria Tama<\/span><\/td><td><span style=\"color: #ffffff;\">Pengaruh Ritmis Pada Genre Progressive Rock Terhadap Aksi Panggung: Studi Kasus Pada Pemain Bass<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">27<\/span><\/td><td><span style=\"color: #ffffff;\">Mardian Bagus Prakosa<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Rajasa Satria Tama<\/span><\/td><td><span style=\"color: #ffffff;\">Pengaruh Ritmis Pada Genre Progressive Rock Terhadap Aksi Panggung: Studi Kasus Pada Pemain Bass<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">28<\/span><\/td><td><span style=\"color: #ffffff;\">Mardian Bagus Prakosa<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Belanikha<\/span><\/td><td><span style=\"color: #ffffff;\">Pengaruh Penggunaan Teknik Belting Terhadap Penguatan Makna Metafora Lirik Lagu<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">29<\/span><\/td><td><span style=\"color: #ffffff;\">Agnes Tika Setiarini<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Belanikha<\/span><\/td><td><span style=\"color: #ffffff;\">Pengaruh Penggunaan Teknik Belting Terhadap Penguatan Makna Metafora Lirik Lagu<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">30<\/span><\/td><td><span style=\"color: #ffffff;\">Bakhrudin Latif<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Evelyn Sarah Saksono<\/span><\/td><td><span style=\"color: #ffffff;\">Pengaruh Kombinasi Karakter Mallet Terhadap Timbre pada Repertoar &#8220;Rhythm Song&#8221; Untuk Solo Marimba Karya Paul Smadbeck<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">31<\/span><\/td><td><span style=\"color: #ffffff;\">Rahmat Raharjo<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Evelyn Sarah Saksono<\/span><\/td><td><span style=\"color: #ffffff;\">Pengaruh Kombinasi Karakter Mallet Terhadap Timbre pada Repertoar &#8220;Rhythm Song&#8221; Untuk Solo Marimba Karya Paul Smadbeck<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">32<\/span><\/td><td><span style=\"color: #ffffff;\">Mardian Bagus Prakosa<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Angga Roudhotul Jannah Parlindungan<\/span><\/td><td><span style=\"color: #ffffff;\">Analisis Akord Substitusi dan Pengaruhnya terhadap Tensi Akord pada Lagu \u201cMisty\u201d oleh Tar Farlow<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">33<\/span><\/td><td><span style=\"color: #ffffff;\">Raden Agoeng Prasetyo<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Angga Roudhotul Jannah Parlindungan<\/span><\/td><td><span style=\"color: #ffffff;\">Analisis Akord Substitusi dan Pengaruhnya terhadap Tensi Akord pada Lagu \u201cMisty\u201d oleh Tar Farlow<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">34<\/span><\/td><td><span style=\"color: #ffffff;\">Agoeng Prasetyo<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Johan Cahyadi Sinaga<\/span><\/td><td><span style=\"color: #ffffff;\">Efek Penerapan Teknik Legato Terhadap Karakter Suara Gitar Pada Lagu EDM (E-Dependent Mind)<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">35<\/span><\/td><td><span style=\"color: #ffffff;\">Mardian Bagus Prakosa<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Johan Cahyadi Sinaga<\/span><\/td><td><span style=\"color: #ffffff;\">Efek Penerapan Teknik Legato Terhadap Karakter Suara Gitar Pada Lagu EDM (E-Dependent Mind)<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">36<\/span><\/td><td><span style=\"color: #ffffff;\">Agnes Tika Setiarini<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Naima Serenia Girsang<\/span><\/td><td><span style=\"color: #ffffff;\">Hubungan Improvisasi Scat Singing Dengan Pengembangan Interpretasi Vokal Dalam Lagu Mbiring Manggis<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">37<\/span><\/td><td><span style=\"color: #ffffff;\">Bakhrudin Latif<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Naima Serenia Girsang<\/span><\/td><td><span style=\"color: #ffffff;\">Hubungan Improvisasi Scat Singing Dengan Pengembangan Interpretasi Vokal Dalam Lagu Mbiring Manggis<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">38<\/span><\/td><td><span style=\"color: #ffffff;\">Josias T. Adriaan<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Jordan Filbert Hansel Turnip<\/span><\/td><td><span style=\"color: #ffffff;\">Peran Symmetrical Scale Dalam Teknik Berimprovisasi Piano Jazz<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">39<\/span><\/td><td><span style=\"color: #ffffff;\">Agnes Tika Setiarini<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Jordan Filbert Hansel Turnip<\/span><\/td><td><span style=\"color: #ffffff;\">Peran Symmetrical Scale Dalam Teknik Berimprovisasi Piano Jazz<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">40<\/span><\/td><td><span style=\"color: #ffffff;\">Agoeng Prasetyo<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Hendro Parulian Sinaga<\/span><\/td><td><span style=\"color: #ffffff;\">Peran Interval Minor-Mayor Dalam Eksplorasi Teknik Double Stop pada Gitar Elektrik<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">41<\/span><\/td><td><span style=\"color: #ffffff;\">Agnes Tika Setiarini<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Gustin Tri Midde Pardede<\/span><\/td><td><span style=\"color: #ffffff;\">Penerapan Teknik Vokal Belting pada Lagu Kisah Sempurna karya Mahalini Raharja<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">42<\/span><\/td><td><span style=\"color: #ffffff;\">Agnes Tika Setiarini<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Feryta Dewantari<\/span><\/td><td><span style=\"color: #ffffff;\">Implementasi Tangga Nada Pentatonik Blues Pada Lagu Mimpi Anggun C. Sasmi<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">43<\/span><\/td><td><span style=\"color: #ffffff;\">Djohan<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Anugrah Zigana Sani<\/span><\/td><td><span style=\"color: #ffffff;\">Peran Fingering Pada Teknik Pizzicato Dan Harmonics Dalam Reinterpretasi Karya Maurice Ravel<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">44<\/span><\/td><td><span style=\"color: #ffffff;\">Asep Hidayat Wirayudha<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Dubertho Christnoval, Ngongady<\/span><\/td><td><span style=\"color: #ffffff;\">Implementasi Teknik \u201cRasguedo\u201d Terhadap Interpretasi Musikal, Studi Kasus : Suite For Solo Cello Karya Gaspar Cassado<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">45<\/span><\/td><td><span style=\"color: #ffffff;\">Asep Hidayat Wirayudha<\/span><\/td><td><span style=\"color: #ffffff;\">Seni Terapan<\/span><\/td><td><span style=\"color: #ffffff;\">Aghisna Indah Mawarni<\/span><\/td><td><span style=\"color: #ffffff;\">Efek Reinstrumentasi Karya Organ Js. Bach Melalui Alih Timbre Terhadap Selera Musik<\/span><\/td><td><span style=\"color: #ffffff;\">2023<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">46<\/span><\/td><td><span style=\"color: #ffffff;\">Agnes Tika Setiarini<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Gustin Tri Midde<\/span><\/td><td><span style=\"color: #ffffff;\">Metode Improvisasi Scat Singing Dalam Vokal Jazz<\/span><\/td><td><span style=\"color: #ffffff;\">2022<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">47<\/span><\/td><td><span style=\"color: #ffffff;\">Prof. Dr. Djohan<\/span><\/td><td><span style=\"color: #ffffff;\">Seni Terapan<\/span><\/td><td><span style=\"color: #ffffff;\">Lady Angela Exlesia Sualang<\/span><\/td><td><span style=\"color: #ffffff;\">Efektivitas Intervensi Musik untuk Mendukung Target Hipnoterapi<\/span><\/td><td><span style=\"color: #ffffff;\">2022<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">48<\/span><\/td><td><span style=\"color: #ffffff;\">Mardian Bagus Prakosa<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Pandu Bagas Buruuja<\/span><\/td><td><span style=\"color: #ffffff;\">Interpretasi Dan Strategi Latihan Pada Gitar Concerto No.1<\/span><\/td><td><span style=\"color: #ffffff;\">2022<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">49<\/span><\/td><td><span style=\"color: #ffffff;\">Singgih Sanjaya<\/span><\/td><td><span style=\"color: #ffffff;\">Seni Terapan<\/span><\/td><td><span style=\"color: #ffffff;\">Rr Rilla Tersiadewi Sanjaya<\/span><\/td><td><span style=\"color: #ffffff;\">&#8220;Fantasia&#8221; untuk Flute, Keroncong, dan Orkestra<\/span><\/td><td><span style=\"color: #ffffff;\">2022<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">50<\/span><\/td><td><span style=\"color: #ffffff;\">Mardian Bagus Prakosa<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Egregious Kamalandi Harpa Wise<\/span><\/td><td><span style=\"color: #ffffff;\">Interpretasi Dinamika dan Warna Suara pada Suite Populaire Bresilienne Karya Heitor Villa-Lobos<\/span><\/td><td><span style=\"color: #ffffff;\">2021<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">51<\/span><\/td><td><span style=\"color: #ffffff;\">Agnes Tika Setiarini<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Adila As Shahidah<\/span><\/td><td><span style=\"color: #ffffff;\">Pembelajaran Jarak Jauh untuk Perkuliahan Praktek Musik di Prodi D4 Penyajian Musik ISI Yogyakarta<\/span><\/td><td><span style=\"color: #ffffff;\">2021<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">52<\/span><\/td><td><span style=\"color: #ffffff;\">H. Mulyadi Cahyorahardjo<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Rosa Bella Cahyaningtyas<\/span><\/td><td><span style=\"color: #ffffff;\">Penyajian Keroncong Kidung Cinderamata Pada Pekan Seni Mahasiswa Nasional<\/span><\/td><td><span style=\"color: #ffffff;\">2021<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">53<\/span><\/td><td><span style=\"color: #ffffff;\">Bakhrudin Latif<\/span><\/td><td><span style=\"color: #ffffff;\">Seni Berwawasan lingkungan hidup<\/span><\/td><td><span style=\"color: #ffffff;\">Faldy Yericho<\/span><\/td><td><span style=\"color: #ffffff;\">Pemanfaatan Kayu Sonokeling sebagai Bahan Baku Pembuatan Bars Xylophone<\/span><\/td><td><span style=\"color: #ffffff;\">2021<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">54<\/span><\/td><td><span style=\"color: #ffffff;\">Prof. Dr. Djohan<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Chriestian Denny Stiawan<\/span><\/td><td><span style=\"color: #ffffff;\">Peran Stimulasi Ekspresi melalui Teknik Reinterpretasi dalam Resital Musik Seni<\/span><\/td><td><span style=\"color: #ffffff;\">2021<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">55<\/span><\/td><td><span style=\"color: #ffffff;\">Singgih Sanjaya<\/span><\/td><td><span style=\"color: #ffffff;\">Seni Terapan<\/span><\/td><td><span style=\"color: #ffffff;\">Carolus Borromeus Ayom Satria<\/span><\/td><td><span style=\"color: #ffffff;\">Elaborasi Jazz, Keroncong, dan EDM(Electronic Dance Music) Pada Komposisi Save Our Earth<\/span><\/td><td><span style=\"color: #ffffff;\">2021<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">56<\/span><\/td><td><span style=\"color: #ffffff;\">Mardian Bagus Prakosa<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Glen Afif Ramadan<\/span><\/td><td><span style=\"color: #ffffff;\">Analisis, Teknik, dan Interpretasi Musik Pada Fantasia Dramatique Op.31 Karya Napoleon Corte<\/span><\/td><td><span style=\"color: #ffffff;\">2020<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">57<\/span><\/td><td><span style=\"color: #ffffff;\">Asep Hidayat<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Erwin Nur Adiyatma<\/span><\/td><td><span style=\"color: #ffffff;\">Peran Emosi Dalam Interpretasi Musikal Musisi Studi Komparasi Pada Pemain Cello Dan Gitar<\/span><\/td><td><span style=\"color: #ffffff;\">2020<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">58<\/span><\/td><td><span style=\"color: #ffffff;\">Prof. Dr. Djohan<\/span><\/td><td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni<\/span><\/td><td><span style=\"color: #ffffff;\">Lucia Hening Saputri<\/span><\/td><td><span style=\"color: #ffffff;\">Korelasi Kemampuan Emosi Sosial dengan Model Profesionalitas Pendidikan dalam Pembelajaran Musik<\/span><\/td><td><span style=\"color: #ffffff;\">2020<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">59<\/span><\/td><td><span style=\"color: #ffffff;\">H. Mulyadi Cahyorahardjo<\/span><\/td><td><span style=\"color: #ffffff;\">Teknologi Seni<\/span><\/td><td><span style=\"color: #ffffff;\">Yoma Candra Bintang Sakti<\/span><\/td><td><span style=\"color: #ffffff;\">Eksplorasi Teknik Aransemen Orkestrasi Melalui Elaborasi Fasilitas Software Sibelius (Studi Kasus Indonesia Pusaka Karya Ismail Marzuki)<\/span><\/td><td><span style=\"color: #ffffff;\">2020<\/span><\/td><\/tr><tr><td><span style=\"color: #ffffff;\">60<\/span><\/td><td><span style=\"color: #ffffff;\">Singgih Sanjaya<\/span><\/td><td><span style=\"color: #ffffff;\">Seni Terapan<\/span><\/td><td><span style=\"color: #ffffff;\">Irvan Rizki Fausi<\/span><\/td><td><span style=\"color: #ffffff;\">Rancangan Pola Irama Musik Inovatif &#8211; Musik Keroncong Pada Komposisi Kidung Panyuwun<\/span><\/td><td><span style=\"color: #ffffff;\">2020<\/span><\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>&#8211; Daftar Hasil Penelitian\/Karya Kerjasama Penelitian Karya Ilmiah Dosen Tetap Program Studi yang Disitasi Produk \/Jasa Dosen Tetap yang Diadopsi oleh Industri\/Masyarakat Penelitian Dosen Tetap yang Melibatkan Mahasiswa \u00a0 No. Lembaga Mitra Tingkat *) Judul Kegiatan Kerjasama Manfaat bagi PS yang Diakreditasi Waktu dan Durasi Bukti Kerjasama Tahun Berakhirnya Kerjasama (YYYY) Interna-sional Nasional Wilayah\/ Lokal [&hellip;]<\/p>","protected":false},"author":2,"featured_media":0,"parent":8348,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1438","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/penyajianmusik.isi.ac.id\/en\/wp-json\/wp\/v2\/pages\/1438","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/penyajianmusik.isi.ac.id\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/penyajianmusik.isi.ac.id\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/penyajianmusik.isi.ac.id\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/penyajianmusik.isi.ac.id\/en\/wp-json\/wp\/v2\/comments?post=1438"}],"version-history":[{"count":27,"href":"https:\/\/penyajianmusik.isi.ac.id\/en\/wp-json\/wp\/v2\/pages\/1438\/revisions"}],"predecessor-version":[{"id":9354,"href":"https:\/\/penyajianmusik.isi.ac.id\/en\/wp-json\/wp\/v2\/pages\/1438\/revisions\/9354"}],"up":[{"embeddable":true,"href":"https:\/\/penyajianmusik.isi.ac.id\/en\/wp-json\/wp\/v2\/pages\/8348"}],"wp:attachment":[{"href":"https:\/\/penyajianmusik.isi.ac.id\/en\/wp-json\/wp\/v2\/media?parent=1438"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}